The Open Golden Dawn

experience inside the most important Western Initiatic Tradition

18 volumes

The Morning Star series

Morning Star 1.jpg

THE COMPLETE SERIES OF

THE MORNING STAR MAGAZINE

VOL. 1 – THE OPEN GOLDEN DAWN

VOL. 2 – INTELLECTUAL FIRES

VOL. 3 – MAGES IMAGES

VOL. 4 – TOWARDS THE MORNING STAR

VOL. 5 – A STAR IN SIGHT

VOL. 6 – THE LAW OF MALKVTH

VOL. 7 – THE BEAT HOTEL

VOL. 8 – THE ENTERER 

VOL. 9 – TOWARDS THE SECOND ORDER

VOL. 10 – BLACK MADONNA

VOL. 11 – HIGH DEGREES

VOL. 12 – ILLUMINATI

VOL. 13 – UNDER THE SHADOWS OF MARS

VOL. 14 – JUPITER’S THUNDER

VOL. 15 – MYSTERY IN DAATH

VOL. 16 – BAPHOMETH

VOL. 17 – INVISIBLE CONNECTIONS

VOL. 18 – ANDROGINITY

Troubabour’s Qabbalah – a book “about too much Messiahs”

A speculative and unconventional historical essay. It explores the idea that a “cosmopolitan religion” was conceived by the people, though it doesn’t specify when, how, or by whom this occurred, as the essay seems to be investigating these very questions.


Key Elements and Scope of the Essay

The essay uses a “troubadouric language” to connect seemingly disparate historical and religious concepts with the feeling of music and magic.

  • Ancient History and Mythology: It delves into the stories of the Patriarchs before the flood, a pre-Israelite sacerdotal line, and the myth of the Ten Lost Tribes.
  • The Diaspora and Mysticism: It traces the Eastern Diaspora, the Exilarchate, and the influence of Kabbalah on Sufi mystical traditions. This connection is explored in the context of Umayyad Spain and its impact on music and poetry.
  • European Development: The essay links these esoteric and mystical traditions to the development of the European Renaissance and early Enlightenment, suggesting a hidden lineage of thought that influenced modern philosophy.
  • The Role of “False-Messiahs”: A central theme is the reinterpretation of so-called “false-Messiahs.” The author posits that these figures represent a continuous tradition, rather than a deviation from it, and that they embody a spiritual pursuit of liberty and awareness.
  • Modernity and Occultation: The essay extends its analysis to modern times, using political analogies to understand how art reflects society. It also explores an “obscurantist line” that sought to suppress these spiritual and intellectual movements.

The book is an ambitious and unorthodox attempt to trace a hidden spiritual history that runs parallel and different to mainstream narratives, challenging conventional social science approaches by weaving together mythology, mysticism, and political history.

And now, music:

3 commenti

  1. Dil ki gali mein, shaam sehle dhal gayiTum na aaye, roshni bhi bujh gayiTanha main baitha hoon, yaadon ke darmiyanGeet ban ke dil se, nikle har zubaan(Chorus)Tu hai kahan, meri jaan, ab aajaTere bin, soona har lamha, har jahaanTere bin, soona har lamha, har jahaan(Verse 2)Phool khile hain, par khushboo udaas haiChaand nikla, par usmein bhi pyaas haiAankhon mein meri, ek hi sawaal haiKab hoga tera, mujhse woh pyaar hai(Chorus)Tu hai kahan, meri jaan, ab aajaTere bin, soona har lamha, har jahaanTere bin, soona har lamha, har jahaan(Bridge)Waqt ki saansein, dheere-dheere tham rahiTujhse milne ki, umeed bhi kam rahiPhir bhi yeh dil, ik aas liye baitha haiShayad tu aaye, aur gale se lagaye(Chorus)Tu hai kahan, meri jaan, ab aajaTere bin, soona har lamha, har jahaanTere bin, soona har lamha, har jahaan

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